Detail Itinerary

Kashyapa the Rebel King

King Kashyapa (also known as Kasyapa I or Kassapa), was the eldest son of King Dhatusena, by a palace concubine. As legend goes, King Dhatusena was overthrown and walled in, alive by Kashyapa in 473 AD. Mogallana, Dhatusena’s son by the true queen fled to India, vowing revenge. Fearing retribution, Kashyapa built this impregnable fortress at Sigiriya and sought salvation from his brother’s vengeance

When the invasion finally came in 491, Kashyapa rode out to battle in his war elephant. In an attempt to out-flank his half-brother, Kashyapa took a wrong turn, where his elephant got stuck in the mud. His soldiers, thinking Kassapa was retreating fled, abandoning him, and Kassapa took his own life.

Sigiriya later became a monastic refuge, but eventually fell into disrepair.

The Gardens

The beautifully and elaborately landscaped gardens are divided into 3 sections;

  1. The water Gardens,
  2. The Boulder Gardens and
  3. The Terraced Gardens

Although distinct, the gardens are also linked.

The Water Gardens contain a complex underground water distribution system. The network provides water to the Royal baths, the many little moated islands & fountains. Some fountains still work during the rainy season! A superb view of the Gardens could be had from halfway up the rock.

The Boulder Garden consists of collection of strategically placed large rock connected by a network of winding paths. Most of the boulders had pavilions with brick structures built on them. The boulders were not only aesthetically pleasing, but also acted as a defense against enemies. The boulders could be pushed off on enemies below at short notice.

The Terraced Garden is a stepped garden that rises from the boulder garden. The terraced garden is designed in a rough circular formation around the rock.

Frescoes – The Sigiriya Damsels

About halfway up the rock is a sheltered gallery of frescoes painted on the sheer rock face. The ‘Heavenly Maidens’ are similar in style to the paintings of Ajantha in India. Some of them are still in remarkably good condition. Only 22 out of an estimated 500 pictures now remain. Flash photography is not allowed at this site.

The Mirror Wall with Graffiti

Beyond the fresco gallery, the pathway circles the sheer face of the rock, and is protected by a 3m high wall. This wall was coated with a mirror-smooth glaze, in which visitors over 1000 years ago noted their impressions of the women in the gallery above. The graffiti was mostly inscribed between the 7th and 11th Century AD. 685 of them have been deciphered and published. The graffiti are a great source for the scholars to study the development of the Sinhala language and script.